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Wednesday, October 16, 2019

Research in Practice Essay Example | Topics and Well Written Essays - 2500 words

Research in Practice - Essay Example This will be done from study of existing literature concerning McDonalds and its Chinese market and outlets. McDonalds is one of the biggest fast food restaurants in the world. The fats food stores giant has been operating in several countries worldwide and in most cases it has outsmarted its competitors to remain the number one fast food shop worldwide. The fast food giant entered the Chinese market in the 1990 and has been operational since then. There has therefore been the need to study and analyze its operation in China market in order to predict the future of the restaurant in China. Articles and journals have been selected for use in this research to help achieve the objectives of the study. McDonalds Corporation is an American world’s largest fast food chain that specializes in serving of hamburger in over a hundred countries globally. The fast food giant has its head quarters in Illinois in the United States of America. The fast food giant was founded by businessman Ray Kroc. McDonalds has three modes of operations in its various countries of operations. The McDonalds restaurants are either operated by the corporation itself, as an affiliate or as a franchise. McDonald’s main products include hamburger, French fries, breakfast items, chicken burger, milkshakes and soft drinks. The fast food restaurant has heavily standardized its menus in its various outlets worldwide .In some scenarios however, the fast food giant has altered its menu or expanded it in order to meet the needs of the local clients especially in the Middle East. McDonalds made an entry into the china market in the year 1990.The fast food group of restaurants had an increasing and promising growth rate in its fast three years of operation. However, in the subsequent years the growth rate of the fast food restaurants was lower compared to the growth rate between the year 1990 and 1993.This was due to a number of factors such as competition, cultural

Tuesday, October 15, 2019

Mayella Violet Ewell Essay Example for Free

Mayella Violet Ewell Essay Mayella Violet Ewell is Tom Robinsons 19-and-a-half-year-old accuser and the eldest daughter of Bob Ewell; she has to take care of her siblings (such as Burris Ewell) due to Bob Ewells alcoholism. Before the trial, Mayella is noted for growing red geraniums outside her otherwise dirty home. Due to her familys living situation, Mayella has no opportunity for human contact or love, and she eventually gets so desperate that she attempts to seduce a black man, Tom Robinson. Her father sees this through a window, and in punishment he beats her. Ewell then finds the sheriff, Heck Tate, and tells him that his daughter has been raped and beaten by Tom. At the trial, Atticus proves that it was her father who beat her by pointing out that the bruises are on the right side of her face only. This is important because Toms left hand is mangled and useless, while Bob Ewell is left handed. When Atticus Finch asks her if she has any friends, she becomes confused because she does not know what a friend is. During her testimony, she is confused by Atticus polite speech and thinks that his use of Miss Mayella is meant to mock her.  By testifying against Tom Robinson, Mayella is trying to destroy the evidence suggesting that she had attempted to seduce him, and to do what her father wants her to do so that he wont hurt her — to eliminate her own guilt and fear of breaking a rigid and time-honored code. Mayella is played by Collin Wilcox in the movie.

Monday, October 14, 2019

Factors Which Led To The Origins Of Agriculture History Essay

Factors Which Led To The Origins Of Agriculture History Essay The transition from a hunter-gatherer lifestyle to that of an agriculturist, is considered by some, to have been inevitable as part of the natural evolutionary progression and development of man (Rindos 1986: 6). It is in our nature as humans to be progressive and, as such, we automatically follow a sequence of pre-ordained (Harris 1986: 12) and invariable steps in order to achieve higher levels of social development (Westropp 1872, cited by Barker 2006: 8). A lack of knowledge was the only factor that prevented the transition from hunting and gathering to farming; before the Holocene, man had simply not reached the cognitive nor cultural level required to formulate the concept of agricultural subsistence (Richerson et al. 2001: 394). Bender agrees, noting that the mental capacity and physical dexterity of the humans that were responsible for the origins of agriculture, in contrast to hunter-gatherers of 4million years ago, were significantly more advanced, which in turn enabled the development of more complex societies (Bender 1978: 209). This suggests that the accumulation of knowledge regarding their local environment and resources, led eventually to experimentation and ultimately domestication. At the Cave of Diaotonghuan in the Jiangxi province of China, there is a gradual growth in the number of rice phytoliths of domestic form in relation to those of wild form (Higham 2005: 242). This indicates a gradual assimilation of domesticates into their subsistence base following the acquisition of appropriate knowledge in regards to domestication of their local resources; this eventually led to total reliance on intensive agriculture. Similarly, at Abu Hureyra in Northern Syria, the percentage of gazelle bones decreases over the sites period of occupation, whereas the number of bones belonging to domesticates gradually increases, eventually becoming the dominant component in the villagers subsistence base (Watkins 2005: 214). This was not a rapid, single event, b ut a more gradual process in which the villagers steadily became more dependent on domesticates. These examples demonstrate how knowledge was the limiting factor and how the gradual accumulation of knowledge (Zvekebil 1986: 9) and the resulting familiarity with potential domesticates resulted in their manipulation (Braidwood 1960, cited by Cohen 1977: 8), and, ultimately, domestication. The varying rates at which different cultures adopted agriculture can also be explained by this model; it took different societies different amounts of time to acquire the required level of knowledge and familiarity with their local resources (Braidwood 1960, cited by Richerson et al. 2001: 399); until this was achieved, progression to domestication could not occur. It is a common assumption that the lifestyle that is concurrent with agricultural production is significantly superior to that associated with Hunter-Gatherer communities. It has been suggested by some that if the adequate level of knowledge and cultural readiness had been achieved in favourable ecological circumstances, then the advantages of agriculture would have appeared so discernable as to make the transition to a domestic mode of production axiomatic (Zvelebil: 1986(b): 8). It is wrong to make this assumption, however, as it is not inevitable that agriculture will bring with it an easier and more reliable lifestyle; indeed, it has been adduced that the emergence of agriculture bought with it a number of disadvantages. These include chronic malnutrition the consequence of an instable subsistence base and resultant famine increased labour input and reduced leisure time. Furthermore, the appearance of widespread stress does not occur until reliance upon intensive agriculture is well established (Rindos 1986: 38). The Kung!-San Bushmen of the Kalahari Desert provide an interesting illustration of a modern hunter-gatherer group that has no need or desire to transfer to an agrarian way of life. Their subsistence base consists of varying wild materials, including both preferential and contingency resources; they operate on a schedule of strategic seasonal movements in order to exploit particular resources at specific times and locations throughout the year (Lee 1968, cited by Barker 2006: 29). Various mechanisms, including infanticide, allow population levels to be kept low and well within the capacity of the available food supply (Lee 1968, cited by Scarre 2005: 186) as well as enabling them to maintain their ubiquitous lifestyle. The Kung!-San do not suffer from any Puritan Ethos (Bender 1978: 206), and therefore the number of hours per day spent collecting food is kept to a minimum, relinquishing the majority of their time for leisure purposes. It can be s een, therefore, that the hunter-gatherer lifestyle can provide a reliable and varied subsistence base, as well as a more relaxed style of living; the incentives for transition to an agricultural lifestyle are not obvious. Because of this, it is possible that hunter-gather communities did not willingly accept to abandon their lifestyle of choice, but were instead forced by some external factor. Stark identified such factors as Push Models people were coerced into farming by some common factor or stress (Stark 1986, cited by Barker 2006: 36). Bellwood agrees, stating that there are no compelling reasons why hunter-gathers would have adopted agriculture, unless pushed (Bellwood 2005: 41). The origins of agriculture are often attributed to climatic variation, a significant push factor in the process of achieving intensified domestication (Moore 1986: 626). The study of ice cores, deep sea cores, and pollen profiles has revealed that the Post-Glacial period was characterised by a cold, dry and extremely variable climate. The transition into the Holocene, however, saw a shift to a more stable climate, with warmer and wetter conditions (Bellwood 2005: 20). It is this important climatic transition that is thought to have enabled the conversion to agriculture and is the foundation of a number of important hypotheses regarding agrarian development. An example of such is Childes Oasis Theory; he promotes that the melting of the European ice sheets at the end of the last glaciation would have forced rain bearing depressions north, promoting desiccation in the Near East. This in turn would have forced animals and humans into closer proximities around the ever decreasing number of water side locations. This allowed humans to develop a greater understanding of their local resources, and further to this, enabled them to realise the benefits of establishing a symbiotic relationship with the local fauna, as opposed to exploiting them using hunting strategies (Childe 1936 cited by Scarre 2005: 188); the advantages of this would simply have become obvious to them given the stress they were under from post glacial desiccation (Barker 2006: 14). An example of how desiccation can affects the subsistence base of a society can be found at Abu Hureyra. During the Pleistocene the villagers were dependent on a wide range of resources; they hunted wild cattle, sheep and gazelle, but also gathered a number of different plant species. With the onset of the Younger Dryas, the colder and more arid climate made gathering more difficult. The people of Abu Hureyra instead turned to intensive cultivation of rye, a robust cereal that could withstand the more difficult conditions (Watkins 2005: 214). Although this supports Childes idea that it was desiccation that caused the transition to agriculture, his theory in general is flawed and cannot be universally applied. Pollen analysis in the Near East confirms that the Early Holocene was indeed characterised climatically by a warmer, wetter regime and not by desiccation. The climatic transition in this region progressed from dry to moist, rather than the reverse, which devalues the foundation of Childes hypothesis (Wright 1977 cited by Rindos 1984: 15) due to the unsatisfactory environmental data which is the basis of his claims. The emergence of domesticated rye at Abu Hureya between 10800-9600BC, or during the Younger Dryas, is very early in contrast to other sites. For the most part, agriculture in the Near East was not adopted under desiccated conditions, but in the warmer and wetter conditions of the Holocene. The recovery and study of rice phytoliths at the Cave of Diaotonghuan in the Jiangxi province of China has revealed a correlation between climate change and the development of the domesticate. Within Zone G, which correlates to a period of more favourable climate, there is relatively high number of rice phytoliths. This number severely depreciates within Zone F, however, which is reflective of the colder and more arid climate of the Younger Dryas. The quantity of phytoliths once again increases significantly within Zones D and E due to a longer period of warmth between 8000-6000BC; the phytoliths here are evenly split between wild and cultivated forms. By Zone C, the phytoliths are entirely cultivated in form, and remain abundant, due to the continuing warm climate. This sequence reveals a correlation between fluctuations in climate and the quantity of rice phytoliths present. During colder periods, the amount of phytoliths decreases, whereas, they increase with more favourable climates. Ever increasing quantities of phytoliths of domestic form relative to the quantity of wild is also observable during the warmer periods (Higham 2005: 241). This demonstrates that it was during better climatic conditions that domesticates began to be more widely utilised, and not during periods of desiccation. Although Childes theory is, in general, flawed, there is evidence to support the claim that climatic variation did indeed have an effect on the origins of agriculture. One of the most interesting theories regarding the origins of agriculture considers the relationship between sedentism, population growth, and the availability of local resources; the transition to agriculture occurred, simply, because of disequilibrium between the number of available resources and swelling population numbers (Zvelebil 1986 (a): 9). Increased sedentism brought with it relaxation of mechanisms and birth controls previously used to keep population levels low (Rindos 1984: 19), which resulted in a significant increase in population numbers. The favourable, coastal, resource rich areas, that could previously support these smaller, hunter-gatherer populations, could no longer cope once the population had expanded beyond the regions carrying capacity. This led to expansion into more marginal zones (Binford 1968, cited by Bellwood 2005: 22 and Scarre 2005: 189), until further territorial extension became undesirable or untenable (Cohen 1977: 12); the populations of these ar eas were then forced to turn to agriculture as a means of subsistence intensification, allowing them to feed their growing numbers. This theory is particularly desirable as it not only accounts for why agriculture was adopted, but for why it occurred at differing rates at various different loci Population pressure had simply not yet reached the point where reliance upon agriculture was called for (Rindos 1984: 33). Unfortunately, there is an underlying problem with this hypothesis. As mentioned above, climatic change cannot be used as a globally extendable explanation for the change in subsistence base; climate, by nature, is regionally specific and the effects of it are therefore hugely diverse (Rindos 1984: 16). The favourable coast line habitats, which, according to Binford, were the areas where people first turned to sedentism, flourished with increasing sea levels. However, increased sea levels would affect differing coastlines in a number of ways (Cohen 1977: 7) the creation of superior habitats is just one of these. This would not have been a universal or uniform effect, and therefore cannot be a globally applied theory for the origins of agriculture. It still seems tenable, however, that population growth would have brought about a necessity for agriculture in order to provide a more stable food supply for an ever increasing population. Alternative views consider the origins of agriculture to be the result of social factors. Bender in particular promotes this idea, claiming that other factors, such as demography, are often considered to have played a much greater role than is realistic, whilst social structure is significantly over looked (Bender 1978: 204); ultimately it is the social relations that articulate society and set the evolutionary pattern'(Bender 1978: 218). In other words, it is social factors that bring about the most significant transitions and cause the greatest change. Competition between social groups is often considered to have led to the development of intensified food production in order to provide the specifically valued kinds of food deployed in competitive strategies and acts of reciprocity (Scarre 2005: 187). Feasting and the accumulation and distribution of prestige items were common mechanisms for achieving wealth, status and power. They are, however, expensive in terms of subsistence and require surplus resources (Zvelebil 1986(a): 10); hunting and gathering can only supply limited resources. This is why agriculture was developed in order to fund such reciprocal mechanisms via a more stable and consistent subsistence base. Alternatively, for Hodder, the domus the location of production and reproduction which constitute society and social relation (Hodder 1990: 39) was the social mechanism which drove the transition to agriculture. As a concept, it acted as a metaphor for the desire to control and transform nature; the individual experience of domestication led ultimately to intensification and domestication (Hodder 1990: 41). In summary, for economic domestication to be successful, it must be preceded by social domestication. Both of these examples illustrate how social pressure provided a positive incentive for hunter-gatherer societies to transfer to an agricultural lifestyle. Bellwood, however, considers an alternative view on how social pressures had an effe ct on the transition to domestication in certain landscapes, from the perspective of how hunter-gatherer communities were put under pressure from agriculturalists moving into their territories looking for regions of high agricultural potential. The relationship between the native hunter-gatherers and invading agriculturalists would have initially been one of exchange, and would have been mutually beneficial to both parties involved (Bellwood 2005: 41). It is often considered that contact with the agriculturalists would eventually lead the hunter gatherers to realise of the benefits of domestication, encouraging them to switch to this lifestyle. Bellwood suggests, however, that this may not have happened; he argues that as pressure on resources increased, along with increasing attempts by the agriculturalists to dominate the hunter gatherers, this would only have dissuaded them to change their lifestyle (Bellwood 2005: 41). This form of social pressure therefore acts only a deterrent to the adoption of agriculture. It can be seen therefore that no one explanation for the origins of agriculture is entirely satisfactory. This is to be expected, however; these factors are conceived at level that is too general to account for local distinctions (Moore 1986: 622). Domestication would have been adopted for a number of distinct and differing reasons, due to the diverse nature of the various loci where agriculture originated (Zvelebil 1986(b): 167). The origin of agriculture was not brought about by one driving factor it was not a monocausal phenomenon (Scarre 2005: 186). It was a combination of factors most importantly climatic variation, demographic change and social pressure, as well as the accumulation of necessary knowledge which would have combined in various ways to ultimately bring about a shift to food production.

Sunday, October 13, 2019

The Lives of Oprah Winfery and Malcolm X :: essays papers

The Lives of Oprah Winfery and Malcolm X The lives of Malcolm X and Oprah Winfery have some similarities's but mostly differences. The biggest similarities is that they are both very accomplished black American's. Malcolm X was a hustler, robber and a very messed up child. After going to jail he decided to turn his life around. In a few ways Oprah was the same way. She had struggled with her weight all of her life. Finally she decided to do something about it. When Malcolm was a child his family didn't have very much money. They lived in a run-down house with many brother's and sister's. To make matters worse, they were a black family. When he was about fifteen years old his father was run over by a cart. He was nearly cut in half! The police said it was an accident but, Malcolm and his family knew it wasn't. After his father died things went down hill. His mother was so upset by his death that she couldn't take care of her family. Malcolm started to hang out with the wrong people. He became a hustler, he would rob people for money and valuable things they owned. He also started to get into hard drugs during his teenage years. All of this led to him dropping out of school and his mom was put into a mental hospital. When he was seventeen years old he was arrested and put into jail. This was the start of his "new start". He started reading the dictionary! His speed increased incredibly. By reading the dictionary his vocabulary became much better so he started reading books. After serving 8-10 years in jail he got out and started to speak against racism. He was a very strong speaker, which many people, including some whites, listened to. He would always be talking about how the whites didn't treat them right and to fight against them. On February 21, 1965 Malcolm was speaking at a OAAU rally in Harlem and he was shot and killed. Oprah Winfery, a talk show producer and host, actress, and a very charitable person. She began her career in television when she was nineteen years old. She was the youngest and the first African-American woman to be a news anchor at Nashville's WTVF-TV. Nine years after her T.V. career took off she moved to Chicago to host a morning talk show, "A.M. Chicago" which became the number one rated talk show just a month after Oprah took over. In less than a year the show expanded into a hour long program and was renamed, "The Oprah Winfery

Saturday, October 12, 2019

Dorothy Parker Essay -- essays research papers

*** "Inventory" 'Four be the things I am wiser to know: Idleness, sorrow, a friend, and a foe. Four be the things I'd been better without: Love, curiosity, freckles, and doubt. Three be the things I shall never attain: Envy, content, and sufficient champagne. Three be the things I shall have till I die: Laughter and hope and a sock in the eye.' *** Dorothy Parker became popular shortly after the first world war with her light verse and short stories. Although her works may not seem harsh and unwomanly today, they were labeled in this manner at the height of her popularity. Her cynical verses developed into something of a national frenzy, while giving the reader the impression that she recklessly stretched a woman's equal rights to include sexual relationships. It seemed that infidelity was included among these "rights." Her admirers culled quotations from her poetry that, while seeming to be among the most clever, were also among the least sincere. These epitomize the apparent lack of emotional range displayed in her verse. The techniques and topics that many of her verses tackle are as follows: "bitterness, humor, wit, and love" (Adams 519), together with an absolute foreknowledge of their futility. Love, especially, plays a major role as a theme of Parker's verse. Many poems are relating to love and loneliness or death as results of love. Parker once said of an actress in a review of a play that she "runs the gamut of em...

Friday, October 11, 2019

How Do You Actually Learn to Love Yourself Essay

5 ways to learn to love yourself more 1-Do something kind: There are lots of different ways to do something kind, but one of the best, long-term ways you can do something for someone else is by volunteering. For example, you could help out at a local swimming club, befriend an elderly person or use your marketing experience to promote a local charity. 2-Become your hero for the day: If you want to try this out for yourself choose someone that you can identify with, but who is also well known for his or her confidence. Then begin to act like them. Although you don’t have to speak in their accent, envisioning your hero can have a surprisingly positive impact upon your own body language and tone of voice. 3-Retrain your thoughts: How many times in a day do you think negatively about yourself? Now ask yourself how many times you compliment yourself during the day.A great way to alter your behaviour and learn to love yourself is to retrain the way you think. You can do this by following up every negative thought you have about yourself with a positive. For example, if you tell yourself that you are ugly, old or overweight, follow this bad thought up with something positive, like: ‘I have great skin, hair and a good smile’. Increasing the number of positive thoughts you have about yourself during the day will hopefully help you to enjoy being you and will help to boost your self-esteem. 4-Admit your flaws and take action: We all have flaws and that’s fine. It is just something that we have to accept. Yet some people’s flaws can interfere with their life and become an obstacle that stands between them and their happiness. If you have a flaw that is becoming a problem it is time to admit that you need to change. 5-Relationship analysis: There are some people in this life that are just no good for us. If you have friends, boyfriends, girlfriends or colleagues who undermine you, belittle you or are just plain mean, you need to have a thinking about confronting them about their behaviour. This can be extremely daunting, especially if they bully you. Remember though that no one has the right to put you down and the only way people will stop acting in this way is if they know you won’t accept it. Be brave, plan what you are going to say so that you can communicate clearly and then sit down and talk through your issue face to face. If the problem continues it might be time to consider cutting them out of your life altogether. Life is too short to waste on people that don’t make you feel good and hanging around with negative people will make it hard for you to love yourself.

Thursday, October 10, 2019

Characters in Macbeth and The Laboratory Essay

Macbeth is arguably one of Shakespeare’s most famous tragedies. Written sometime between 1603 and 1606, the play is strongly written with King James the first’s of England’s interests in mind; the supernatural. Because of this we are introduced to the idea of the paranormal and witchcraft straight way in the play with the three. This would have scared a Jacobean audience as they feared the supernatural; it also foreshadows the likeliness of disturbed characters to be introduced later in the play. In comparison, The Laboratory, a poem written by Robert Browning in the 1800’s and set in aristocratic France- before the revolution, when the old regime of the monarchy was still in place. This was a time of great diversity between the social classes, so seeing the narrator of the dramatic monologue, an affluent woman, liaising with a poor alchemist would have deeply shocked a 19th century audience, as they would believe her to be troubled, or maybe even disturbe d. Macbeth is Shakespeare’s shortest tragedy; this means that the play has no sub-plots and only concentrates on the story, and the disturbed mind, of the main character, Macbeth. The full focus on Macbeth himself emphasises his evil nature and thirst for power, portraying him as the ultimate tyrannical and disturbed character. â€Å"I have no spur to prick the sides of my intent, but only vaulting ambition, which o’erleaps itself and falls on the other† . The metaphorical language used as the reference to ‘spurs’, used to make horses go faster, shows that Macbeth feels his ambition to gain power is being limited by the king. Macbeth is shown to have great respect for the king and sees the king as almost a friend, so to describe him as a mere obstacle to overcome shows he has no moral boundaries, making him a disturbed character. Similarly, The Laboratory is a poem written in the form of a dramatic monologue, this means we hear everything that’s going on from the view of the narrator. In this case, it’s high class woman who is obsessed with getting revenge on her husband and his lovers. Her single-mindedness is shown by the poem only being about her thoughts and her fatal flaws, jealousy and revenge. These themes are shown in the poem right away. In the first stanza, the topic of poison and murder are mentioned quite blatantly. â€Å"Which is the poison to poison her, prithee?† The reader doesn’t yet know that there’s a revenge  plot, however Browning wants the reader look into the narrators disturbed mind early into the poem. He uses this fourth line like a hook to pull the reader into the poem and make them wonder why the speaker would want to kill someone. In Act 1, Scene 1 of Macbeth, we are introduced to the three witches, showing the audience that the play has a strong supernatural theme. This would have scared a Jacobean audience much more than a modern audience as witchcraft was feared much more intensely than it is today. Shakespeare used catalectic trochaic tetrameter and rhyming couplets to make the witches words sound like a spell, â€Å"Fair is foul and foul is fair: Hover through the fog and filthy air.† The oxymoron shows that the witches don’t know the difference between good and bad. This foreshadows a play of contrasts and disturbed minds. Macbeth’s words also echoes the witches in Act 1, Scene 3 â€Å"So foul and fair a day I have not seen.† We recognise the oxymoron from when the witches said it in the opening scene; this gives the audience the impression that Macbeth shares similar qualities with the witches, such as he doesn’t know the difference between good and bad, and therefore had no moral boundaries. It also foreshadows that Macbeth will have more to with the witches in the future. This makes Macbeth a disturbed character to the audience, particularly a Jacobean audience, because of his association with the supernatural. On the other hand, the subt itle to Robert Browning’s poem â€Å"The Laboratory†, â€Å"Ancien Regime†, tells us that it is set in France before the revolution, when the old regime of the monarchy was still in place. The narrator appears to be an upper class woman, a fact which is not apparent in the opening stanza, but becomes so as the poem develops; this is seen by the lexical field of wealth, â€Å"Gold, Kings, Jewels†, who is in a laboratory brewing up a poison to kill her rivals. For a 19th century audience this poem’s setting alone would be very bizarre. In aristocratic France, it was way rare for the social classes to mix, so seeing an upper class lady in the setting of a poor laboratory was very strange. The disturbance in the setting would have deeply confused the audience. The narrator even flaunts her wealth to the chemist when she begins to fantasise about what she will hide the poison in with the exclamatory sentence, â€Å"To carry pure death in an earring, a casket, A signet, a fan-mount, a filigree-basket!† This would have shocked a 19th century audience and they would have believed her to have been a very disturbed character. A Jacobean audience would think that  Macbeth is more of a tragic hero than a modern audience would. This is because a Jacobean audience would feel more sympathy towards Macbeth because of his fatal flaw, ambition. In the 1600’s the idea of succession and promotion would be much more topical than it is today, this is because one of the two main monarchs in Shakespeare’s time, Queen Elizabeth, remained the ‘Virgin’ Queen throughout her reign and therefore had no successor, creating great instability. Macbeth was promoted to Thane of Cawdor and the King called him brave â€Å"for brave Macbeth- well he deserves that name†. This would have been a massive compliment to Macbeth, so naturally he would enjoy it and want more, A Jacobean audience would have sympathised with his feelings because of the situation of their monarchy at the time. This makes him a tragic hero as he was once a great war lord that was brought down by his fatal flaw, ambition. Also, a Jacobean audience were much more likely to believe in the idea that the witches were taking over Macbeths mind. In Shakespeare time, witchcraft was a major issue as people fully believed that it was possible to be possessed by the supernatural and demonic natures as the knowledge that the women supplied was like a drug to Macbeth, and it is obvious he was fascinated by it at the start, â€Å"would they have stayed†- and continually wants more. His obsession with the witches would have made a Jacobean audience believed he had a disturbed mind, but they would have also have felt sympathy toward his as they believed he was being possessed, making him a tragic hero. However, a modern audience are more sceptical about the supernatural and would therefore see Macbeth as more of a disturbed character as we find it harder the feel sympathy towards him and see him more of a weak willed character as he frequently talks himself out of murdering his friends for his own gain, yet he does it anyway. â€Å"yet I do fear thy nature; it is too full o’the milk of human kindness/ To catch the nearest way.† It is shown that Mabeth doesn’t dislike Duncan as a king, in fact he sees him as a friend, but he is in the way of Macbeth’s fatal flaw, ambition, and so has to be killed. The upcoming murder is described as inevitable. The focus on his fall, as well as his rise demonstrates Shakespeare’s moral message th at tyrannical reins will come full circle and end in their demise. Shown also through the divine right of kings, as Malcolm finishes up on the thrown. However, in The Laboratory, as soon as we hear of the narrator’s motive we feel sympathy towards her. She is also a  victim as her husband has cheated on her, leaving her heart broken and distraught. However as we learn more of her fatal flaws, jealousy and revange, the audience realised that she does not only want to kill her emimies, but she wants to make them suffer too, â€Å"Not that I bid you spare her the pain! Let death be felt and the proof remain.† This quote from the 9th stanza shows that she wants her rivals to know that they are dying, and that she doesn’t care if she is caught to be the one responsible for their murder. A 19th century French audience would call this a ‘crime of passion’ because the persona has been wronged by the husband and would naturally want to take revenge. They wouldn’t believe that it was okay, however they would have understood why she wanted to do it more than a modern audience would, and would therefo re view her as a tragic hero. A modern audience would mostly see her actions as outright murder and would feel less sympathy to the disturbed mind of the narrator and so would see her as less of a tragic hero and more of a disturbed and jealous maniacal killer. In Act 1 Scene 5, Lady Macbeth, after being told what the witches told Macbeth about him become king, â€Å"and king here after!†, and upon receiving word that King Duncan of Scotland will be arriving that night, begins sharpening her talons. She isn’t sure there’s enough manhood to go around between herself and her husband, so she calls upon scheming spirits to â€Å"unsex me [Lady Macbeth] here.† This is her vivid way of asking to be stripped of feminine weakness and invested with masculine resolve. She imagines herself as a vessel which may be emptied out and refilled â€Å"from the crown to the toe.† One thing nobody, spirit or otherwise, has ever poured into her is â€Å"the milk of human kindness†. Lady Macbeth’s speech is very shocking to the audience as it shows the inner workings of her mind and what she really desires, power. This suggest to the audience that she may be the one with the ultimate disturbed mind as she has no d oubts that she I prepared to kill her king for her own gain. The narrator shows her power over the alchemist as she frequently dominates him and gives him orders, â€Å"Quick- is it finished? The colour’s too grim!† The idea of a woman telling a man what to do would have been unheard of in a patriarchal society such as then. However the alchemist doesn’t seem to mind as it is revealed that the disturbed woman who has come for his service is prepared to give everything, â€Å"Now, take all my jewels, gorge gold to your fill, You may kiss me old man, on my mouth if  you will!† The fact an upper class woman is prepared to let a poor alchemist kiss her shows how much this poison means to the narrator. However she pushes him away to avoid any repercussion of the poison, â€Å"but brush this dust off me, lest horror it brings†. Her quick change of mind shows the giddiness in the thought of killing her rivals. After Lady Macbeth strengthens her husband’s resolve by mocking his perceived weakness, she convin ces him that king Duncan will be murdered than night and explains her plan to him. In the beginning of Act 2 Scene 1 the setting is clearly dark (use of touch bearers) and â€Å"the candles are all out† metaphor, which is a reference to the heavens, suggests that with the physical darkness there is also a moral darkness. Shakespeare uses pathetic fallacy to set the dark scene. This foreshadows the likelihood of death and also likes with the darkness of Macbeth’s and his wife’s disturbed mind. Later on in the scene Macbeth’s soliloquy reveals for the first time the extent of Macbeth’s disturbed mind. He begins to see things that others cannot, a dagger. He asks if it is real or a â€Å"false creation/ Proceeding from the heat-oppressed brain?† This intensifies the atmosphere of evil but is also a symbol of the start of Macbeth’s mental torment and psychological breakdown. Just as inward debate and talk of murder is about to stifle his courage, Macbeth’s intense illusion is shattered by the bell, a signal from L ady Macbeth that Duncan’s chamberlains are asleep, â€Å"I go, and it is done; the bell invites me.† Macbeth races away to commit the heinous crime almost saying he has no choice since the â€Å"bell invites† him, taking the responsibility away from himself. This leaves the question in the audience’s mind of weather a few more moments of deliberation would have changed Macbeths disturbed mind. On the other hand, The Laboratory is written in anapaestic tetrameter, which is an upbeat rhythm that shows her calm and confident one track mind. This is also emphasised by rhyming couplets and regular quatrains, â€Å"..Tightly.. Whitely,†; â€Å"..Smithy†¦ Prithee?† However, Browning switches to dactyls on line 5, â€Å"He is with her, and they know that I know.† This change in rhythm emphasises her paranoia and makes the audience wonder whether her husband’s affaire is all just in her disturbed and paranoid mind In Macbeth’s eyes, the murder of Duncan has now made the murder of Banquo and his son a necessity and the witches predicted th at it would be Banquo’s children that end up on the thrown. Macbeth treats the murder of his best friend as a  facile task, which tell the audience that the trace of humanity under the â€Å"vaulting ambition† and the moments of reflection and regret are now gone. After the deed had been done and Banquo is now dead Macbeth sees his best friend’s ghost, ironically during his celebratory banquet after becoming king. This is the first time Macbeths friends and subjects see his disturbed minds and Macbeth begins to panic and shout at, what seems to them, to be nothing. â€Å"Prithee, see there! Behold! Look! Lo! How say you? Why, what care I? If thou canst nod, speak too.† The repetition of short exclamatory sentences and rhetorical questions shows Macbeths panic at the disturbing sight of his â€Å"gory† best friend’s ghost. To a Jacobean audience, this would be Gods punishment for committing murder and treason. The divine right of kings lead people to believe that the royal family is put there by God so to k ill Royalty is much worse than normal murder. So therefore god has sent the image of his dead friend to torment his disturbed mind for what he has done. On the other hand, a modern audience would argue that this is result of Macbeth’s guilt for ordering his best friend to be killed for no reason other than to keep his status as king for eternity. This shows his deluded and disturbed mind as there is no way that killing Banquo and his son would leave Macbeth on the thrown forever. It shows how is power hunger and disturbed character has poisoned his mind is his sub-conscious guilt has finally gotten too much. In contrast, in The Laboratory, because of her husband’s love affair with other women, â€Å"he is with her†, we can see the narrator’s mental state become more and more disturbed as the poem progresses. This can be seen through the pleasure that the speaker is feeling when talking about the imminent death of her two rivals; â€Å"grind away moisten and mash up thy paste†. These verbs show the pleasure the speaker is taking in plotting death. This is unsettling to the reader as we wouldn’t expect to see such evil thoughts in a society filled with luxury, portrayed by the lexical field of wealth â€Å"gold, kings, jewels.† The narrator frequently refers to poison with positive connotations â€Å"treasures†¦ pleasures†, this shows that she doesn’t know the difference between good and band and therefore (like Macbeth) had no moral boundaries. Browning also includes alliteration of plosives, â€Å"Brand, Burn up, Bite into its grace-â€Å" This makes the verbs sound violent and aggressive and also makes the narrator sound very disturbed when she says them. Finally, Macbeth who, by  Act 4, is far along the path of insanity becomes paranoid and feels the need to make the witches tell him more. He returns to the Witches and boldly demands to be shown a series of apparitions that tell his future. The first apparition is the disembodied head of a warrior who seems to warn Macbeth of a bloody revenge at the hands of HYPERLINK â€Å"http://www.cliffsnotes.com/literature/m/macbeth/summary-and-analysis/~/link.aspx?_id=D7760724761D4871B3541B0CC827B645&_z=z† Macduff. The second is a blood-covered child who comforts Macbeth with the news that he cannot be killed by any man â€Å"of woman born.† The third is a child wearing a crown, who promises that Macbeth cannot lose in battle until Birnam wood physically moves toward his stronghold at Dunsinane. Encouraged by the news of such impossibilities, Macbeth asks, â€Å"Shall Banquo’s issue ever reign in this kingdom?† The Witches present an image of a ghostly procession of future kings, led by Banquo. All this serves only to enrage Macbeth, who, trusting in his own pride reveals in an aside to the audience his determination to terminate Macduff as he is now a threat to Macbeths rein. Macbeth realises that he cannot kill Macduff at that moment in time as Macduff is off with his army in England. So instead he chooses to damage Macduff emotionally, in the hope that he would crumble in grief after hearing of the slaughter of his loved ones. This shows that Macbeth has now bee n completely in engulfed into his disturbed mind as he is now killing innocent women and children in his decent into ultimate tyranny. To both Jacobean and modern audiences his disturbing actions are unforgivable. However Macbeth’s actions do the opposite of when he intended- Macduff is spurred on by his anger and eventually takes Macbeth’s life for it. The focus on his fall, as well as his rise demonstrates Shakespeare’s moral message that tyrannical reins will come full circle and end in their demise. In conclusion, I think that Shakespeare uses the disturbed mind of Macbeth effectively to keep the audience engaged. Macbeth’s confused and disturbed mind is always flickering back on forth to what is right and what isn’t. Shakespeare presents this through his use of soliloquies and short sentences, keeping the audience fascinated and following every turn and twist of Macbeth’s disturbed mind. Contrasting to The Laboratory where Browning presents the character of the narrator as truly disturbed, yet not mad like Macbeth and she keeps a one track mind and urge to kill throughout most of the poem. This theme of  revenge leaves the reader able to sympathise with the narrator. They understand her motives and that she had been driven to this outcome. The relationship that browning builds between the narrator and the reader is effective because the reader can easily look into and understand the narrators disturbed mind, allowing the reader to stay engaged with the piece.