Team Essay example - 1083 Words

Team Development (Questions 1, 11) Teams do not become effective overnight. Team building is a process that requires due attention and care. If you try to skip over important development stages, you risk not forming the solid foundation needed when trouble or setbacks occur. To build, lead, or participate in a team requires an understanding of the stages of team development. Through extensive research, it has been found that successful teams have certain aspects of their development paths in common. The one that most people are aware of is Tuckmans Forming, Storming, Norming, and Performing model. Two other factors that significantly increase a teams chances of being effective are having a well thought out team orientation process,†¦show more content†¦Its the vision that motivates and directs a team to reach its goal. The best teams invest a great deal of time and energy into exploring and understanding the overall purpose and vision of the team. From this vision, a set of goals and objectives emerges that helps the team stay focused and on track. The key to using vision successfully is making the process of discovering it a participative one. You can tell a team what the vision is and team members may or may not agree that the cause is worth working hard for. If, however, you allow the team to explore the vision, to see how their specific roles fit into the big picture, and provide meaningful opportunities for team members to assist in the teams success, then you have the basis for a high performing team. To learn more about tying vision to goals see Performance Management and KPIs , The Balanced Scorecard , and Management By Objectives . To learn where you sit on the participative management scale, see the article on the The Blake-Mouton Managerial Grid . The articles on Avoiding Micromanagement andSuccessful Delegation discuss why it is important to provide challenges to your team members and allow them to use their skills and abilities to the fullest. Managing Conflict (Questions 4, 12, 14) Conflict can be an inevitable consequence of working with other people. Opinions, values, styles, and a wholeShow MoreRelatedTeam : Team And Team1255 Words   |  6 PagesTeam Learning Team alignment is critical to ensure team effectiveness. An unaligned team could work extraordinarily hard and produce very little. Lack of team alignment results in wasted energy. Aligned teams produce extraordinary results through harmonizing energies and much less effort. Teams achieve alignment through a common purpose, shared vision, and knowing how to best support one another. This way, personal visions becomes team visions, which also allows for greater empowerment of teamRead MoreA Team : The Beginning Of A Team1495 Words   |  6 Pages  Ã‚  Ã‚   No team. No coach. No chance. That was what everyone had thought of us at the beginning of the season. We were the associations charity project that they had no reason to care for. We started off what would become the greatest season of our lives with eight girls. Soon after we merged with Moundsview who was in the same situation as us. From there on we traveled the state for both practices and games. Every night we were eit her just down the street on our home ice at Tartan or all the way inRead MoreThe Importance Of An Effective Team For A Team844 Words   |  4 Pagesto develop an effective team. Through this reflection essay on the group presentation that I did last Monday, I have become more aware of useful strategies to deal with issues and understand what could be improved for future presentations. Developing teamwork skills is am important benefit for me as future professional workers. The major benefit of working in a team for me is that it facilitated and provide a great exercise to develop a teamwork skill. As I work in a team, I learned not only to confidentlyRead MoreTravel Teams : Travel Team Teams1146 Words   |  5 PagesTravel Teams Introduction My entire life I have played on numerous travel teams for different sports. I vaguely remember the countless hours spent at practice for these teams, more than an actual school team. I also remember the amount of money put into it, sometimes giving up my social life to play on the weekends, missing church on Sunday’s, and even missing school for a big tournament; travel teams have played a huge role in my life. That’s just it; there are an immense amount of kids that haveRead MoreTeam Based Structure Of Team958 Words   |  4 PagesTeam-based structures have become immensely popular in today’s work world. This is due to an endeavor by companies to restructure and increase efficiency in order to combat an accretion in competition. Teams have their advantages and their drawbacks, just like any other company strategy. Team-based structures are quite engrossing, due to their capability to be utilized by companies in almost any industry. This universal applicability has enabled teams to be structured and utilized in multitudinousRead MoreTeam Building And Development Team1518 Words   |  7 Pages Team Building and Development It takes extraordinary leadership to assemble great teams. Leaders who are not reluctant to course right, making challenging choices and launch principles of implementation that are continually being met – and enhancing them at all times. Whether in the working environment, expert sports, or our nearby community, team building needs a keen understanding of individuals, their merits and what makes them eager to work with others. Llopis mentioned, â€Å"Team buildingRead MoreTeams : Teams Characteristics And Diversity1175 Words   |  5 PagesMBA 8165: Teams-Characteristics Diversity Fey Aynsley, Monique McGee, Jacqueline Rasheed and Brandon J. Smith In the business world today, teams have become essential for the effective and efficient execution of business functions. While the type of teams varies across industries, each team serves a specific function within the organization. The function determines the team member composition and the duration of the team. Team duration may be permanent, part-time, or temporary. Seven standardRead MoreTeams For A Team Based Organization991 Words   |  4 Pagescommonly known as teams. Organizations utilize teams for a number of reasons (e.g., greater output, quality enhancements, or better decisions) and give them a range of labels depending on factors such as the members comprising the team {ex. managers, front line workers} or what the team is supposed to achieve {ex. to make decisions, develop a new product, deliver a service}. Some of the many types of teams found in organizations include top management teams, cross-functional teams { Bikson, 1996},Read MoreTeam Work And Team Effecti veness1897 Words   |  8 PagesExecutive Summary: This report describes and analyzes the statement â€Å"Is establishing team work difficult in organizations†. Thus it focuses on the importance of team work in the organizations and its influence on people’s behaviors. This report begins with the explanation of the terms ‘team’, ‘team work’ and ‘team effectiveness’. It then explores whether team work is easy or difficult to establish in the organizations through the context of an example from a renowned multinational organization -Read MoreCreating Cross Functional Teams For A Functional Team904 Words   |  4 Pagescreating cross-functional teams in which team members put the good of the team ahead of functional self-interest? A team is a group of individuals who works for the common goal and they contribute to achieve a unique and common objective. Cross-functional teams where members come from different departments and backgrounds to achieve a common unique goal. The cross-functional team requires hand of top management support and commitment, specific goals and incentives, Self-Managed Team champion who acts

The Poetry Of Harlem And Women Have Loved Before As I Love...

â€Å"What happens to a dream deferred?† is the opening statement of Harlem that grabs the attention of everyone who is reading this phenomenal poem. Of the two poems listed in this essay, this opening statement is more attention-grabbing and is a fantastic hook to being with. Harlem and Women Have Loved Before As I Love Now, are ideally comparable and contrastable. The meanings of the poems and the authors of the poems are some topics that are different in these poems. The style of the poems and length of the poems are the other topics that are the same and are comparable to this subject. Altogether, these two pieces of literature are actually intriguing and somewhat interesting. Looking for the meanings of the poems is the greatest challenge when reading a poem written a long time ago. Misinterpreting the meaning can cause some bigger issues in the dialect or if you someone wanted to write an analysis on the poem. In Harlem, only eleven lines are written with such greater me aning to the sentences. For example, â€Å"like a raisin in the sun?† could mean that the raisin is already supposed to be dry, like our dreams are supposed to be settle. As for Women Have Loved Before As I Love Now, has fourteen lines that have a higher intellectual and deeper meaning to the sentences. Such as, â€Å"Do suffer love; in me alone survive† could mean that love makes people crazy and some people suffer when they are in love. The author was suffering and the author felt alone in the depression theyShow MoreRelatedMy Mother By Claude Mckay, The Mother, And The Negro Mother1936 Words   |  8 PagesMcKay was born in Jamaica in September of 1889. After publishing his first books, Songs of Jamaica and Constab Ballads, he moved to Harlem, New York. Here, He established himself as a literary voice for social injustice during the Harlem Renaissance. He is well known for his poems, essays, and novels, including If We Must Die. His poem My Mother is about expresse s his love for his mom and how her death devastated him to the core, but he understands that life goes on and actions on the surface continueRead MoreSandra Cisneros and Hughes Analysis1575 Words   |  7 Pagesidentify how different life experiences have influenced and inspired them to write the way they do. Analyzing Sandra Cisneros and Langston Hughes, and pieces of their writing will demonstrate how similar their writing is, how minority discrimination, and cultural circumstances effect and shape different pieces of their respective writings. This paper will highlight similarities, differences and motives for writing the short story, â€Å"Woman Hollering Creek†, and poem, â€Å"I, Too† all backed up and supportedRead MoreThe Jazz Age By Toni Morrison1700 Words   |  7 PagesThe 1920’s in American history seem to be very exciting. It was the height of the Harlem Renaissance, where African American literature, poetry, art and music emerged. You had all thi s African American talent growing and blasting into the mainstream. Historians refer to this time period as â€Å"The Jazz Age†. When jazz music was introduced to the public at clubs and dance halls it took off! People were either captivated by it, or appalled by it. Jazz was all about movement; it was driven by syncopationRead MoreHistory5499 Words   |  22 PagesHARLEM RENAISSANCE by William R. Nash ^ The term ‘‘Harlem Renaissance’’ refers to the efï ¬â€šorescence of African-American cultural production that occurred in New York City in the 1920s and early 1930s. One sometimes sees Harlem Renaissance used interchangeably with ‘‘New Negro Renaissance,’’ a term that includes all African Americans, regardless of their location, who participated in this cultural revolution. Followers of the New Negro dicta, which emphasized blacks’ inclusion in and empowermentRead MoreZora Neale Hurston : An Amazing Author Of The Twentieth Century1769 Words   |  8 Pagesdean of Morgan Academy, Dean William Pickens found Residential Assistant position at the home of Dr. Baldwin for Hurston. Dr. Baldwin was a clergyman and a trustee at Morgan Academy. Mrs. Baldwin was on bed rest due to a broken hip. Hurston worked before and after school in the Baldwin house. She was given a tuition waiver to pay for room and board, plus two dollars a week. The Baldwins gave Hurston permission to use their personal library. If she found a poem in a favorite book, she would memorizeRead MoreLangston Hughes Research Paper25309 Words   |  102 Pagesa job in Mexico. Carrie refused to follow her husband. Instead, she traveled around the country, living with friends and relatives and working at temporary jobs as a maid or waitress. She had ambitions to become an actress, but roles for black women were scarce. Sometimes she took young Langston with her, but most of the time he stayed with his grandmother in Lawrence, Kansas. Grandmother Mary Langston, an American citizen of French, Cherokee, and African descent, was nineteen in 1855 whenRead MoreThe Discourse Community Of The English Subject2328 Words   |  10 Pageswriting, the discourse community I so happened to be associated with is of the English subject. The discourse community of the English literature is made up of many people, genres of literature, and even terms. The discourse community of English literature can be traced back to as early as the year C.658 with the development of Anglo-Saxon literature. Some influential eras of English literature include : Romanticism, Victorian literature, Medieval Theater, Poetry, and the Elizabethan Period. OfRead MoreBlack Naturalism and Toni Morrison: the Journey Away from Self-Love in the Bluest Eye8144 Words   |  33 Pagessurviving and succeeding in this world. In this article, I will explore Toni Morrison s The Bluest Eye from a naturalistic perspective; however, while doing so I will propose tha t because Morrison s novels are distinctly black and examine distinctly black issues, we must expand or deconstruct the traditional theory of naturalism to deal adequately with the African American experience: a theory I refer to as black naturalism. But before I do this I think it is important to discuss why it is worth ourRead MoreSAT Top 30 Essay Evidence18536 Words   |  75 PagesFitzgerald (The famous American novel) ................................................ 35 Historical Events: The American Great Depression (1929-1930s) ........................................................................................ 37 World War I (1914-1918) ......................................................................................................................... 39 Inventors and Innovators: The Wright Brothers (Pioneers of human flight) .....................................Read MoreEssay about Summary of History of Graphic Design by Meggs14945 Words   |  60 PagesEgyptian Hieroglyphics, Egyptian Demotic Script, and Greek. The major deciphering of the stone was done by Jean-Francois Champollion. - As hieroglyphics presented more opportunities than cuneiform, the language was used for commercial documents, poetry, myths, etc†¦ - Papyrus paper was a major step forward in Egyptian visual communication. - The Egyptians were the first people to produce illustrated manuscripts in which words and pictures were combined to communicate information. - Eventually

M2 Compare the Effectiveness of Different Teams Free Essays

Amy Waldock Amy Waldock M2 compare the effectiveness of different teams Clarifying objects in my team we clarified objectives by listening to the team leader and the man in charge of the activities at Blacklands farm and asking him questions about the activities to make sure that everyone fully understood everything. Compared to my team in the bridge building challenge we listened to the team leader and asked questions a lot more so therefore the work done at Blacklands farm was a lot more successful. Agreeing tasks at Blacklands farm we agreed on the tasks by communicating with each team member to get everyone’s point of view to make sure that everyone got a say in to what they thought, by doing this it meant that everyone in the team agreed on the approach to the task. We will write a custom essay sample on M2 Compare the Effectiveness of Different Teams or any similar topic only for you Order Now Sometimes someone would disagree with an idea which could cause conflict in the group, we dealt with this by taking a vote and going with what was voted the most. When doing the bridge building challenge because my group only consisted of three people there was less conflict in the group because it was easier for us to agree on the task, it was also easier because we had a team leader so we just went along with what he said. Valuing people valuing people was very important at Blacklands farm because the tasks set were very full on and physically hard so it was essential that every team member was valued as an individual and involved because with tasks such as the spider’s web every bit of help was needed. Even though the bridge building challenge wasn’t as physical it was still very important that each team member was valued equally because the task involved a lot of concentration and tactical skills. Being receptive to feedback at Blacklands farm we did a task that we failed on a number of times so our team leader stopped us and gave us feedback on what we was doing right and what we was doing wrong and what we could do to complete the task more quickly and easily. Me and my team listened to our team leader and were receptive to his feedback and did as he said and to our advantage completed the task. When doing the bridge building challenge we were given feedback on ways of how to complete the challenge more quickly and successfully, unfortunately me and my group did not pay attention to the feedback and therefore our bridge was not completed in time. Maintaining focus maintaining focus at Blacklands farm was important for a lot of the tasks because if focus was lost it could affect the whole team and make a certain task fail, at times it was hard to maintain a focus because of cold weather and muddy conditions. To maintain a focus we pulled together as a group and were motivated by our team leader and team members. It was hard to maintain a focus when doing the bridge building challenge for my group because at times each team member would get frustrated when things weren’t going as planned, we maintained a focus by thinking of the prize that could be won to whoevers bridge could hold the most amount of glue sticks. Encouraging other team members to recommend improvements this was important at Blacklands farm because if there was something in the task that wasn’t going to plan it could be changed and improved for the better of the group. When doing the bridge building challenge it wasn’t as important to encourage a team member to recommend improvements because there was only three people in our group and we voted on who should be team leader so we was confident that who we had chosen knew what was right so we went with what they said. Dealing with conflict at Blacklands farm because my team worked very well together so there was hardly any conflict, but if there was conflict we dealt with this by discussing the problem together as a group and then discussing what would be the best approach to the problem and if necessarily to take a vote. If there was any conflict whilst doing the bridge building challenge we dealt with this by letting the matter fall into the team leaders hand and letting them decide the best option for the group, by doing this it avoided more conflict. Communication methods at Blacklands farm we communicated by asking questions to make sure that everything was covered and so that everyone had a good understanding of the task, we also listened to each team member when they spoke to maintain a good communication within the whole team. At times we used body language to communicate with team members by using expressions as thumbs up and thumbs down to indicate yes or no. We also had to use body language in one task where we were asked to get in a line according to birth date but without talking so in this task we used our hands to indicate numbers. Unlike at Blacklands farm when doing the bridge building challenge we weren’t asked to do anything without talking so body language wasn’t as necessary, we still had to constantly ask questions and listen to team members to maintain a good relationship in the team and to make sure that communication was maintained. How to cite M2 Compare the Effectiveness of Different Teams, Essay examples

Best Rhyming Poems Essay Example For Students

Best Rhyming Poems Essay Outline1 Rhyming Poems2 Song of Myself (1892 version) by  Walt Whitman3 Humanitad  by  Oscar Wilde4 The Bells by  Edgar Allan Poe Rhyming Poems Poetry that rhymes relays a message through the music of the spoken word. Heres a couple of them: Song of Myself (1892 version) by  Walt Whitman 1 I CELEBRATE myself; And what I assume you shall assume; For every atom belonging to me, as good belongs to you. I loafe and invite my Soul; I lean and loafe at my ease, observing a spear of summer grass. Houses and rooms are full of perfumes—the shelves are crowded with perfumes; I breathe the fragrance myself, and know it and like it; The distillation would intoxicate me also, but I shall not let it. The atmosphere is not a perfume—it has no taste of the distillation—it is odorless; It is for my mouth forever—I am in love with it; I will go to the bank by the wood, and become undisguised and naked; I am mad for it to be in contact with me. 2 The smoke of my own breath; Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and vine; My respiration and inspiration, the beating of my heart, the passing of blood and air through my lungs; The sniff of green leaves and dry leaves, and of the shore, and dark-color’d sea-rocks, and of hay in the barn; The sound of the belch’d words of my voice, words loos’d to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play of shine and shade on the trees as the supple boughs wag; The delight alone, or in the rush of the streets, or along the fields and hill-sides; The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun. Have you reckon’d a thousand acres much? have you reckon’d the earth much? Have you practis’d so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me, and you shall possess the origin of all poems; You shall possess the good of the earth and sun—(there are millions of suns left;) You shall no longer take things at second or third hand, nor look through the eyes of the dead, nor feed on the spectres in books; You shall not look through my eyes either, nor take things from me: You shall listen to all sides, and filter them from yourself. 3 I have heard what the talkers were talking, the talk of the beginning and the end; But I do not talk of the beginning or the end. There was never any more inception than there is now, Nor any more youth or age than there is now; And will never be any more perfection than there is now, Nor any more heaven or hell than there is now. Urge, and urge, and urge; Always the procreant urge of the world. Out of the dimness opposite equals advance—always substance and increase, always sex; Always a knit of identity—always distinction—always a breed of life. To elaborate is no avail—learn’d and unlearn’d feel that it is so. Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams, Stout as a horse, affectionate, haughty, electrical, I and this mystery, here we stand. Clear and sweet is my Soul, and clear and sweet is all that is not my Soul. Lack one lacks both, and the unseen is proved by the seen, Till that becomes unseen, and receives proof in its turn. Showing the best, and dividing it from the worst, age vexes age; Knowing the perfect fitness and equanimity of things, while they discuss I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean; Not an inch, nor a particle of an inch, is vile, and none shall be less familiar than the rest. I am satisfied—I see, dance, laugh, sing: As the hugging and loving Bed-fellow sleeps at my side through the night, and withdraws at the peep of the day, with stealthy tread, Leaving me baskets cover’d with white towels, swelling the house with their plenty, Shall I postpone my acceptation and realization, and scream at my eyes, That they turn from gazing after and down the road, And forthwith cipher and show me a cent, Exactly the contents of one, and exactly the contents of two, and which is ahead? 4 Trippers and askers surround me; People I meet—the effect upon me of my early life, or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks, or of myself, or ill-doing, or loss or lack of money, or depressions or exaltations; Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights, and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am; Stands amused, complacent, compassionating, idle, unitary; Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head, curious what will come next; Both in and out of the game, and watching and wondering at it. Backward I see in my own days where I sweated through fog with linguists and contenders; I have no mockings or arguments—I witness and wait. 5 I believe in you, my Soul—the other I am must not abase itself to you; And you must not be abased to the other. Loafe with me on the grass—loose the stop from your throat; Not words, not music or rhyme I want—not custom or lecture, not even the best; Only the lull I like, the hum of your valved voice. I mind how once we lay, such a transparent summer morning; How you settled your head athwart my hips, and gently turn’d over upon me, And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart, And reach’d till you felt my beard, and reach’d till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth; And I know that the hand of God is the promise of my own, And I know that the spirit of God is the brother of my own; And that all the men ever born are also my brothers, and the women my sisters and lovers; And that a kelson of the creation is love; And limitless are leaves, stiff or drooping in the fields; And brown ants in the little wells beneath them; And mossy scabs of the worm fence, and heap’d stones, elder, mullen and poke-weed. 6 A child said, What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is, any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer, designedly dropt, Bearing the owner’s name someway in the corners, that we may see and remark, and say, Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic; And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white; Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you, curling grass; It may be you transpire from the breasts of young men; It may be if I had known them I would have loved them; It may be you are from old people, and from women, and from offspring taken soon out of their mothers’ laps; And here you are the mothers’ laps. This grass is very dark to be from the white heads of old mothers; Darker than the colorless beards of old men; Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues! And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere; The smallest sprout shows there is really no death; And if ever there was, it led forward life, and does not wait at the end to arrest it, And ceas’d the moment life appear’d. All goes onward and outward—nothing collapses; And to die is different from what any one supposed, and luckier. 7 Has any one supposed it lucky to be born? I hasten to inform him or her, it is just as lucky to die, and I know it. I pass death with the dying, and birth with the new-wash’d babe, and am not contain’d between my hat and boots; And peruse manifold objects, no two alike, and every one good; The earth good, and the stars good, and their adjuncts all good. I am not an earth, nor an adjunct of an earth; I am the mate and companion of people, all just as immortal and fathomless as myself; (They do not know how immortal, but I know. ) Every kind for itself and its own—for me mine, male and female; For me those that have been boys, and that love women; For me the man that is proud, and feels how it stings to be slighted; For me the sweet-heart and the old maid—for me mothers, and the mothers of mothers; For me lips that have smiled, eyes that have shed tears; For me children, and the begetters of children. Undrape! you are not guilty to me, nor stale, nor discarded; I see through the broadcloth and gingham, whether or no; And am around, tenacious, acquisitive, tireless, and cannot be shaken away. 8 The little one sleeps in its cradle; I lift the gauze, and look a long time, and silently brush away flies with my hand. The youngster and the red-faced girl turn aside up the bushy hill; I peeringly view them from the top. The suicide sprawls on the bloody floor of the bed-room; I witness the corpse with its dabbled hair—I note where the pistol has fallen. The blab of the pave, the tires of carts, sluff of boot-soles, talk of the promenaders; The heavy omnibus, the driver with his interrogating thumb, the clank of the shod horses on the granite floor; The snow-sleighs, the clinking, shouted jokes, pelts of snowballs; The hurrahs for popular favorites, the fury of rous’d mobs; The flap of the curtain’d litter, a sick man inside, borne to the hospital; The meeting of enemies, the sudden oath, the blows and fall; The excited crowd, the policeman with his star, quickly working his passage to the centre of the crowd; The impassive stones that receive and return so many echoes; What groans of over-fed or half-starv’d who fall sun-struck, or in fits; What exclamations of women taken suddenly, who hurry home and give birth to babes; What living and buried speech is always vibrating here—what howls restrain’d by decorum; Arrests of criminals, slights, adulterous offers made, acceptances, rejections with convex lips; I mind them or the show or resonance of them—I come, and I depart. 9 The big doors of the country barn stand open and ready; The dried grass of the harvest-time loads the slow-drawn wagon; The clear light plays on the brown gray and green intertinged; The armfuls are pack’d to the sagging mow. I am there—I help—I came stretch’d atop of the load; I felt its soft jolts—one leg reclined on the other; I jump from the cross-beams, and seize the clover and timothy, And roll head over heels, and tangle my hair full of wisps. 10 Alone, far in the wilds and mountains, I hunt, Wandering, amazed at my own lightness and glee; In the late afternoon choosing a safe spot to pass the night, Kindling a fire and broiling the fresh-kill’d game; Falling asleep on the gather’d leaves, with my dog and gun by my side. The Yankee clipper is under her sky-sails—she cuts the sparkle and scud; My eyes settle the land—I bend at her prow, or shout joyously from the deck. The boatmen and clam-diggers arose early and stopt for me; I tuck’d my trowser-ends in my boots, and went and had a good time: (You should have been with us that day round the chowder-kettle. ) I saw the marriage of the trapper in the open air in the far west—the bride was a red girl; Her father and his friends sat near, cross-legged and dumbly smoking—they had moccasins to their feet, and large thick blankets hanging from their shoulders; On a bank lounged the trapper—he was drest mostly in skins—his luxuriant beard and curls protected his neck—he held his bride by the hand; She had long eyelashes—her head was bare—her coarse straight locks descended upon her voluptuous limbs and reach’d to her feet. The runaway slave came to my house and stopt outside; I heard his motions crackling the twigs of the woodpile; Through the swung half-door of the kitchen I saw him limpsy and weak, And went where he sat on a log, and led him in and assured him, And brought water, and fill’d a tub for his sweated body and bruis’d feet, And gave him a room that enter’d from my own, and gave him some coarse clean clothes, And remember perfectly well his revolving eyes and his awkwardness, And remember putting plasters on the galls of his neck and ankles; He staid with me a week before he was recuperated and pass’d north; (I had him sit next me at table—my fire-lock lean’d in the corner. ) 11 Twenty-eight young men bathe by the shore; Twenty-eight young men, and all so friendly: Twenty-eight years of womanly life, and all so lonesome. She owns the fine house by the rise of the bank; She hides, handsome and richly drest, aft the blinds of the window. Which of the young men does she like the best? Ah, the homeliest of them is beautiful to her. Where are you off to, lady? for I see you; You splash in the water there, yet stay stock still in your room. Dancing and laughing along the beach came the twenty-ninth bather; The rest did not see her, but she saw them and loved them. The beards of the young men glisten’d with wet, it ran from their long hair: Little streams pass’d all over their bodies. An unseen hand also pass’d over their bodies; It descended tremblingly from their temples and ribs. The young men float on their backs—their white bellies bulge to the sun—they do not ask who seizes fast to them; They do not know who puffs and declines with pendant and bending arch; They do not think whom they souse with spray. 12 The butcher-boy puts off his killing clothes, or sharpens his knife at the stall in the market; I loiter, enjoying his repartee, and his shuffle and break-down. Blacksmiths with grimed and hairy chests environ the anvil; Each has his main-sledge—they are all out—(there is a great heat in the fire. ) From the cinder-strew’d threshold I follow their movements; The lithe sheer of their waists plays even with their massive arms; Over-hand the hammers swing—over-hand so slow—over-hand so sure: They do not hasten—each man hits in his place. 13 The negro holds firmly the reins of his four horses—the block swags underneath on its tied-over chain; The negro that drives the dray of the stone-yard—steady and tall he stands, pois’d on one leg on the string-piece; His blue shirt exposes his ample neck and breast, and loosens over his hip-band; His glance is calm and commanding—he tosses the slouch of his hat away from his forehead; The sun falls on his crispy hair and moustache—falls on the black of his polish’d and perfect limbs. I behold the picturesque giant, and love him—and I do not stop there; I go with the team also. In me the caresser of life wherever moving—backward as well as forward slueing; To niches aside and junior bending. Oxen that rattle the yoke and chain, or halt in the leafy shade! what is that you express in your eyes? It seems to me more than all the print I have read in my life. My tread scares the wood-drake and wood-duck, on my distant and day-long ramble; They rise together—they slowly circle around. I believe in those wing’d purposes, And acknowledge red, yellow, white, playing within me, And consider green and violet, and the tufted crown, intentional; And do not call the tortoise unworthy because she is not something else; And the jay in the woods never studied the gamut, yet trills pretty well to me; And the look of the bay mare shames silliness out of me. 14 The wild gander leads his flock through the cool night; Ya-honk! he says, and sounds it down to me like an invitation; (The pert may suppose it meaningless, but I listen close; I find its purpose and place up there toward the wintry sky. ) The sharp-hoof’d moose of the north, the cat on the house-sill, the chickadee, the prairie-dog, The litter of the grunting sow as they tug at her teats, The brood of the turkey-hen, and she with her half-spread wings; I see in them and myself the same old law. The press of my foot to the earth springs a hundred affections; They scorn the best I can do to relate them. I am enamour’d of growing out-doors, Of men that live among cattle, or taste of the ocean or woods, Of the builders and steerers of ships, and the wielders of axes and mauls, and the drivers of horses; I can eat and sleep with them week in and week out. What is commonest, cheapest, nearest, easiest, is Me; Me going in for my chances, spending for vast returns; Adorning myself to bestow myself on the first that will take me; Not asking the sky to come down to my good will; Scattering it freely forever. 15 The pure contralto sings in the organ loft; The carpenter dresses his plank—the tongue of his foreplane whistles its wild ascending lisp; The married and unmarried children ride home to their Thanksgiving dinner; The pilot seizes the king-pin—he heaves down with a strong arm; The mate stands braced in the whale-boat—lance and harpoon are ready; The duck-shooter walks by silent and cautious stretches; The deacons are ordain’d with cross’d hands at the altar; The spinning-girl retreats and advances to the hum of the big wheel; The farmer stops by the bars, as he walks on a First-day loafe, and looks at the oats and rye; The lunatic is carried at last to the asylum, a confirm’d case, (He will never sleep any more as he did in the cot in his mother’s bed-room;) The jour printer with gray head and gaunt jaws works at his case, He turns his quid of tobacco, while his eyes blurr with the manuscript; The malform’d limbs are tied to the surgeon’s table, What is removed drops horribly in a pail; The quadroon girl is sold at the auction-stand—the drunkard nods by the bar-room stove; The machinist rolls up his sleeves—the policeman travels his beat—the gate-keeper marks who pass; The young fellow drives the express-wagon—(I love him, though I do not know him;) The half-breed straps on his light boots to complete in the race; The western turkey-shooting draws old and young—some lean on their rifles, some sit on logs, Out from the crowd steps the marksman, takes his position, levels his piece; The groups of newly-come immigrants cover the wharf or levee; As the woolly-pates hoe in the sugar-field, the overseer views them from his saddle; The bugle calls in the ball-room, the gentlemen run for their partners, the dancers bow to each other; The youth lies awake in the cedar-roof’d garret, and harks to the musical rain; The Wolverine sets traps on the creek that helps fill the Huron; The squaw, wrapt in her yellow-hemm’d cloth, is offering moccasins and bead-bags for sale; The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways; As the deck-hands make fast the steamboat, the plank is thrown for the shore-going passengers; The young sister holds out the skein, while the elder sister winds it off in a ball, and stops now and then for the knots; The one-year wife is recovering and happy, having a week ago borne her first child; The clean-hair’d Yankee girl works with her sewing-machine, or in the factory or mill; The nine months’ gone is in the parturition chamber, her faintness and pains are advancing; The paving-man leans on his two-handed rammer—the reporter’s lead flies swiftly over the note-book—the sign-painter is lettering with red and gold; The canal boy trots on the tow-path—the book-keeper counts at his desk—the shoemaker waxes his thread; The conductor beats time for the band, and all the performers follow him; The child is baptized—the convert is making his first professions; The regatta is spread on the bay—the race is begun—how the white sails sparkle! The drover, watching his drove, sings out to them that would stray; The pedler sweats with his pack on his back, (the purchaser higgling about the odd cent;) The camera and plate are prepared, the lady must sit for her daguerreotype; The bride unrumples her white dress, the minute-hand of the clock moves slowly; The opium-eater reclines with rigid head and just-open’d lips; The prostitute draggles her shawl, her bonnet bobs on her tipsy and pimpled neck; The crowd laugh at her blackguard oaths, the men jeer and wink to each other; (Miserable! I do not laugh at your oaths, nor jeer you;) The President, holding a cabinet council, is surrounded by the Great Secretaries; On the piazza walk three matrons stately and friendly with twined arms; The crew of the fish-smack pack repeated layers of halibut in the hold; The Missourian crosses the plains, toting his wares and his cattle; As the fare-collector goes through the train, he gives notice by the jingling of loose change; The floor-men are laying the floor—the tinners are tinning the roof—the masons are calling for mortar; In single file, each shouldering his hod, pass onward the laborers; Seasons pursuing each other, the indescribable crowd is gather’d—it is the Fourth of Seventh-month—(What salutes of cannon and small arms!) Seasons pursuing each other, the plougher ploughs, the mower mows, and the winter-grain falls in the ground; Off on the lakes the pike-fisher watches and waits by the hole in the frozen surface; The stumps stand thick round the clearing, the squatter strikes deep with his axe; Flatboatmen make fast, towards dusk, near the cottonwood or pekan-trees; Coon-seekers go through the regions of the Red river, or through those drain’d by the Tennessee, or through those of the Arkansaw; Torches shine in the dark that hangs on the Chattahoochee or Altamahaw; Patriarchs sit at supper with sons and grandsons and great-grandsons around them; In walls of adobie, in canvas tents, rest hunters and trappers after their day’s sport; The city sleeps, and the country sleeps; The living sleep for their time, the dead sleep for their time; The old husband sleeps by his wife, and the young husband sleeps by his wife; And these one and all tend inward to me, and I tend outward to them; And such as it is to be of these, more or less, I am. 16 I am of old and young, of the foolish as much as the wise; Regardless of others, ever regardful of others, Maternal as well as paternal, a child as well as a man, Stuff’d with the stuff that is coarse, and stuff’d with the stuff that is fine; One of the Great Nation, the nation of many nations, the smallest the same, and the largest the same; A southerner soon as a northerner—a planter nonchalant and hospitable, down by the Oconee I live; A Yankee, bound by my own way, ready for trade, my joints the limberest joints on earth, and the sternest joints on earth; A Kentuckian, walking the vale of the Elkhorn, in my deer-skin leggings—a Louisianian or Georgian; A boatman over lakes or bays, or along coasts—a Hoosier, Badger, Buckeye; At home on Kanadian snow-shoes, or up in the bush, or with fishermen off Newfoundland; At home in the fleet of ice-boats, sailing with the rest and tacking; At home on the hills of Vermont, or in the woods of Maine, or the Texan ranch; Comrade of Californians—comrade of free north-westerners, (loving their big proportions;) Comrade of raftsmen and coalmen—comrade of all who shake hands and welcome to drink and meat; A learner with the simplest, a teacher of the thoughtfullest; A novice beginning, yet experient of myriads of seasons; Of every hue and caste am I, of every rank and religion; A farmer, mechanic, artist, gentleman, sailor, quaker; A prisoner, fancy-man, rowdy, lawyer, physician, priest. I resist anything better than my own diversity; I breathe the air, but leave plenty after me, And am not stuck up, and am in my place. (The moth and the fish-eggs are in their place; The suns I see, and the suns I cannot see, are in their place; The palpable is in its place, and the impalpable is in its place. ) 17 These are the thoughts of all men in all ages and lands—they are not original with me; If they are not yours as much as mine, they are nothing, or next to nothing; If they are not the riddle, and the untying of the riddle, they are nothing; If they are not just as close as they are distant, they are nothing. This is the grass that grows wherever the land is, and the water is; This is the common air that bathes the globe. 18 With music strong I come—with my cornets and my drums, I play not marches for accepted victors only—I play great marches for conquer’d and slain persons. Have you heard that it was good to gain the day? I also say it is good to fall—battles are lost in the same spirit in which they are won. I beat and pound for the dead; I blow through my embouchures my loudest and gayest for them. Vivas to those who have fail’d! And to those whose war-vessels sank in the sea! And to those themselves who sank in the sea! And to all generals that lost engagements! and all overcome heroes! And the numberless unknown heroes, equal to the greatest heroes known. 19 This is the meal equally set—this is the meat for natural hunger; It is for the wicked just the same as the righteous—I make appointments with all; I will not have a single person slighted or left away; The kept-woman, sponger, thief, are hereby invited; The heavy-lipp’d slave is invited—the venerealee is invited: There shall be no difference between them and the rest. This is the press of a bashful hand—this is the float and odor of hair; This is the touch of my lips to yours—this is the murmur of yearning; This is the far-off depth and height reflecting my own face; This is the thoughtful merge of myself, and the outlet again. Do you guess I have some intricate purpose? Well, I have—for the Fourth-month showers have, and the mica on the side of a rock has. Do you take it I would astonish? Does the daylight astonish? Does the early redstart, twittering through the woods? Do I astonish more than they? This hour I tell things in confidence; I might not tell everybody, but I will tell you. 20 Who goes there? hankering, gross, mystical, nude; How is it I extract strength from the beef I eat? What is a man, anyhow? What am I? What are you? All I mark as my own, you shall offset it with your own; Else it were time lost listening to me. I do not snivel that snivel the world over, That months are vacuums, and the ground but wallow and filth; That life is a suck and a sell, and nothing remains at the end but threadbare crape, and tears. Whimpering and truckling fold with powders for invalids—conformity goes to the fourth-remov’d; I wear my hat as I please, indoors or out. Why should I pray? Why should I venerate and be ceremonious? Having pried through the strata, analyzed to a hair, counsell’d with doctors, and calculated close, I find no sweeter fat than sticks to my own bones. In all people I see myself—none more, and not one a barleycorn less; And the good or bad I say of myself, I say of them. And I know I am solid and sound; To me the converging objects of the universe perpetually flow; All are written to me, and I must get what the writing means. I know I am deathless; I know this orbit of mine cannot be swept by the carpenter’s compass; I know I shall not pass like a child’s carlacue cut with a burnt stick at night. I know I am august; I do not trouble my spirit to vindicate itself or be understood; I see that the elementary laws never apologize; (I reckon I behave no prouder than the level I plant my house by, after all. ) I exist as I am—that is enough; If no other in the world be aware, I sit content; And if each and all be aware, I sit content. Wilfred Owen -"The old Lie" EssayRetreating, they had form’d in a hollow square, with their baggage for breastworks; Nine hundred lives out of the surrounding enemy’s, nine times their number, was the price they took in advance; Their colonel was wounded and their ammunition gone; They treated for an honorable capitulation, receiv’d writing and seal, gave up their arms, and march’d back prisoners of war. They were the glory of the race of rangers; Matchless with horse, rifle, song, supper, courtship, Large, turbulent, generous, handsome, proud, and affectionate, Bearded, sunburnt, drest in the free costume of hunters, Not a single one over thirty years of age. The second First-day morning they were brought out in squads, and massacred—it was beautiful early summer; The work commenced about five o’clock, and was over by eight. None obey’d the command to kneel; Some made a mad and helpless rush—some stood stark and straight; A few fell at once, shot in the temple or heart—the living and dead lay together; The maim’d and mangled dug in the dirt—the newcomers saw them there; Some, half-kill’d, attempted to crawl away; These were despatch’d with bayonets, or batter’d with the blunts of muskets; A youth not seventeen years old seiz’d his assassin till two more came to release him; The three were all torn, and cover’d with the boy’s blood. At eleven o’clock began the burning of the bodies: That is the tale of the murder of the four hundred and twelve young men. 35 Would you hear of an old-fashion’d sea-fight? Would you learn who won by the light of the moon and stars? List to the story as my grandmother’s father, the sailor, told it to me. Our foe was no skulk in his ship, I tell you, (said he;) His was the surly English pluck—and there is no tougher or truer, and never was, and never will be; Along the lower’d eve he came, horribly raking us. We closed with him—the yards entangled—the cannon touch’d; My captain lash’d fast with his own hands. We had receiv’d some eighteen pound shots under the water; On our lower-gun-deck two large pieces had burst at the first fire, killing all around, and blowing up overhead. Fighting at sun-down, fighting at dark; Ten o’clock at night, the full moon well up, our leaks on the gain, and five feet of water reported; The master-at-arms loosing the prisoners confined in the afterhold, to give them a chance for themselves. The transit to and from the magazine is now stopt by the sentinels, They see so many strange faces, they do not know whom to trust. Our frigate takes fire; The other asks if we demand quarter? If our colors are struck, and the fighting is done? Now I laugh content, for I hear the voice of my little captain, We have not struck, he composedly cries, we have just begun our part of the fighting. Only three guns are in use; One is directed by the captain himself against the enemy’s mainmast; Two, well served with grape and canister, silence his musketry and clear his decks. The tops alone second the fire of this little battery, especially the main-top; They hold out bravely during the whole of the action. Not a moment’s cease; The leaks gain fast on the pumps—the fire eats toward the powder-magazine. One of the pumps has been shot away—it is generally thought we are sinking. Serene stands the little captain; He is not hurried—his voice is neither high nor low; His eyes give more light to us than our battle-lanterns. Toward twelve at night, there in the beams of the moon, they surrender to us. 36 Stretch’d and still lies the midnight; Two great hulls motionless on the breast of the darkness; Our vessel riddled and slowly sinking—preparations to pass to the one we have conquer’d; The captain on the quarter-deck coldly giving his orders through a countenance white as a sheet; Near by, the corpse of the child that serv’d in the cabin; The dead face of an old salt with long white hair and carefully curl’d whiskers; The flames, spite of all that can be done, flickering aloft and below; The husky voices of the two or three officers yet fit for duty; Formless stacks of bodies, and bodies by themselves—dabs of flesh upon the masts and spars, Cut of cordage, dangle of rigging, slight shock of the soothe of waves, Black and impassive guns, litter of powder-parcels, strong scent, Delicate sniffs of sea-breeze, smells of sedgy grass and fields by the shore, death-messages given in charge to survivors, The hiss of the surgeon’s knife, the gnawing teeth of his saw, Wheeze, cluck, swash of falling blood, short wild scream, and long, dull, tapering groan; These so—these irretrievable. 37 O Christ! This is mastering me! In at the conquer’d doors they crowd. I am possess’d. I embody all presences outlaw’d or suffering; See myself in prison shaped like another man, And feel the dull unintermitted pain. For me the keepers of convicts shoulder their carbines and keep watch; It is I let out Humanitad  by  Oscar Wilde It is full winter now: the trees are bare, Save where the cattle huddle from the cold Beneath the pine, for it doth never wear The autumns gaudy livery whose gold Her jealous brother pilfers, but is true To the green doublet; bitter is the wind, as though it blew From Saturns cave; a few thin wisps of hay Lie on the sharp black hedges, where the wain Dragged the sweet pillage of a summers day From the low meadows up the narrow lane; Upon the half-thawed snow the bleating sheep Press close against the hurdles, and the shivering house-dogs creep From the shut stable to the frozen stream And back again disconsolate, and miss The bawling shepherds and the noisy team; And overhead in circling listlessness The cawing rooks whirl round the frosted stack, Or crowd the dripping boughs; and in the fen the ice-pools crack Where the gaunt bittern stalks among the reeds And flaps his wings, and stretches back his neck, And hoots to see the moon; across the meads Limps the poor frightened hare, a little speck; And a stray seamew with its fretful cry Flits like a sudden drift of snow against the dull grey sky. Full winter: and the lusty goodman brings His load of faggots from the chilly byre, And stamps his feet upon the hearth, and flings The sappy billets on the waning fire, And laughs to see the sudden lightening scare His children at their play, and yet, the spring is in the air; Already the slim crocus stirs the snow, And soon yon blanched fields will bloom again With nodding cowslips for some lad to mow, For with the first warm kisses of the rain The winters icy sorrow breaks to tears, And the brown thrushes mate, and with bright eyes the rabbit peers From the dark warren where the fir-cones lie, And treads one snowdrop under foot, and runs Over the mossy knoll, and blackbirds fly Across our path at evening, and the suns Stay longer with us; ah! how good to see Grass-girdled spring in all her joy of laughing greenery Dance through the hedges till the early rose, (That sweet repentance of the thorny briar!) Burst from its sheathed emerald and disclose The little quivering disk of golden fire Which the bees know so well, for with it come Pale boys-love, sops-in-wine, and daffadillies all in bloom. Then up and down the field the sower goes, While close behind the laughing younker scares With shrilly whoop the black and thievish crows, And then the chestnut-tree its glory wears, And on the grass the creamy blossom falls In odorous excess, and faint half-whispered madrigals Steal from the bluebells nodding carillons Each breezy morn, and then white jessamine, That star of its own heaven, snap-dragons With lolling crimson tongues, and eglantine In dusty velvets clad usurp the bed And woodland empery, and when the lingering rose hath shed Red leaf by leaf its folded panoply, And pansies closed their purple-lidded eyes, Chrysanthemums from gilded argosy Unload their gaudy scentless merchandise, And violets getting overbold withdraw From their shy nooks, and scarlet berries dot the leafless haw. O happy field! and O thrice happy tree! Soon will your queen in daisy-flowered smock And crown of flower-de-luce trip down the lea, Soon will the lazy shepherds drive their flock Back to the pasture by the pool, and soon Through the green leaves will float the hum of murmuring bees at noon. Soon will the glade be bright with bellamour, The flower which wantons love, and those sweet nuns Vale-lilies in their snowy vestiture Will tell their beaded pearls, and carnations With mitred dusky leaves will scent the wind, And straggling travellers-joy each hedge with yellow stars will bind. Dear bride of Nature and most bounteous spring, That canst give increase to the sweet-breathd kine, And to the kid its little horns, and bring The soft and silky blossoms to the vine, Where is that old nepenthe which of yore Man got from poppy root and glossy-berried mandragore! There was a time when any common bird Could make me sing in unison, a time When all the strings of boyish life were stirred To quick response or more melodious rhyme By every forest idyll; do I change? Or rather doth some evil thing through thy fair pleasaunce range? Nay, nay, thou art the same: tis I who seek To vex with sighs thy simple solitude, And because fruitless tears bedew my cheek Would have thee weep with me in brotherhood; Fool! shall each wronged and restless spirit dare To taint such wine with the salt poison of own despair! Thou art the same: tis I whose wretched soul Takes discontent to be its paramour, And gives its kingdom to the rude control Of what should be its servitor, for sure Wisdom is somewhere, though the stormy sea Contain it not, and the huge deep answer Tis not in me. To burn with one clear flame, to stand erect In natural honour, not to bend the knee In profitless prostrations whose effect Is by itself condemned, what alchemy Can teach me this? what herb Medea brewed Will bring the unexultant peace of essence not subdued? The minor chord which ends the harmony, And for its answering brother waits in vain Sobbing for incompleted melody, Dies a swans death; but I the heir of pain, A silent Memnon with blank lidless eyes, Wait for the light and music of those suns which never rise. The quenched-out torch, the lonely cypress-gloom, The little dust stored in the narrow urn, The gentle XAIPE of the Attic tomb, Were not these better far than to return To my old fitful restless malady, Or spend my days within the voiceless cave of misery? Nay! for perchance that poppy-crowned god Is like the watcher by a sick mans bed Who talks of sleep but gives it not; his rod Hath lost its virtue, and, when all is said, Death is too rude, too obvious a key To solve one single secret in a lifes philosophy. And Love! that noble madness, whose august And inextinguishable might can slay The soul with honeyed drugs, alas! I must From such sweet ruin play the runaway, Although too constant memory never can Forget the arched splendour of those brows Olympian Which for a little season made my youth So soft a swoon of exquisite indolence That all the chiding of more prudent Truth Seemed the thin voice of jealousy, O hence Thou huntress deadlier than Artemis! Go seek some other quarry! for of thy too perilous bliss. My lips have drunk enough, no more, no more, Though Love himself should turn his gilded prow Back to the troubled waters of this shore Where I am wrecked and stranded, even now The chariot wheels of passion sweep too near, Hence! Hence! I pass unto a life more barren, more austere. More barren ay, those arms will never lean Down through the trellised vines and draw my soul In sweet reluctance through the tangled green; Some other head must wear that aureole, For I am hers who loves not any man Whose white and stainless bosom bears the sign Gorgonian. Let Venus go and chuck her dainty page, And kiss his mouth, and toss his curly hair, With net and spear and hunting equipage Let young Adonis to his tryst repair, But me her fond and subtle-fashioned spell Delights no more, though I could win her dearest citadel. Ay, though I were that laughing shepherd boy Who from Mount Ida saw the little cloud Pass over Tenedos and lofty Troy And knew the coming of the Queen, and bowed In wonder at her feet, not for the sake Of a new Helen would I bid her hand the apple take. Then rise supreme Athena argent-limbed! And, if my lips be musicless, inspire At least my life: was not thy glory hymned By One who gave to thee his sword and lyre Like AEschylos at well-fought Marathon, And died to show that Miltons England still could bear a son! And yet I cannot tread the Portico And live without desire, fear and pain, Or nurture that wise calm which long ago The grave Athenian master taught to men, Self-poised, self-centred, and self-comforted, To watch the worlds vain phantasies go by with unbowed head. Alas! that serene brow, those eloquent lips, Those eyes that mirrored all eternity, Rest in their own Colonos, an eclipse Hath come on Wisdom, and Mnemosyne Is childless; in the night which she had made For lofty secure flight Athenas owl itself hath strayed. Nor much with Science do I care to climb, Although by strange and subtle witchery She drew the moon from heaven: the Muse Time Unrolls her gorgeous-coloured tapestry To no less eager eyes; often indeed In the great epic of Polymnias scroll I love to read How Asia sent her myriad hosts to war Against a little town, and panoplied In gilded mail with jewelled scimitar, White-shielded, purple-crested, rode the Mede Between the waving poplars and the sea Which men call Artemisium, till he saw Thermopylae Its steep ravine spanned by a narrow wall, And on the nearer side a little brood Of careless lions holding festival! And stood amazed at such hardihood, And pitched his tent upon the reedy shore, And stayed two days to wonder, and then crept at midnight oer Some unfrequented height, and coming down The autumn forests treacherously slew What Sparta held most dear and was the crown Of far Eurotas, and passed on, nor knew How God had staked an evil net for him In the small bay at Salamis, and yet, the page grows dim, Its cadenced Greek delights me not, I feel With such a goodly time too out of tune To love it much: for like the Dials wheel That from its blinded darkness strikes the noon Yet never sees the sun, so do my eyes Restlessly follow that which from my cheated vision flies. O for one grand unselfish simple life To teach us what is Wisdom! speak ye hills Of lone Helvellyn, for this note of strife Shunned your untroubled crags and crystal rills, Where is that Spirit which living blamelessly Yet dared to kiss the smitten mouth of his own century! Speak ye Rydalian laurels! where is he Whose gentle head ye sheltered, that pure soul Whose gracious days of uncrowned majesty Through lowliest conduct touched the lofty goal Where love and duty mingle! Him at least The most high Laws were glad of, he had sat at Wisdoms feast; But we are Learnings changelings, know by rote The clarion watchword of each Grecian school And follow none, the flawless sword which smote The pagan Hydra is an effete tool Which we ourselves have blunted, what man now Shall scale the august ancient heights and to old Reverence bow? One such indeed I saw, but, Ichabod! Gone is that last dear son of Italy, Who being man died for the sake of God, And whose unrisen bones sleep peacefully, O guard him, guard him well, my Giottos tower, Thou marble lily of the lily town! let not the lour Of the rude tempest vex his slumber, or The Arno with its tawny troubled gold Oer-leap its marge, no mightier conqueror Clomb the high Capitol in the days of old When Rome was indeed Rome, for Liberty Walked like a bride beside him, at which sight pale Mystery Fled shrieking to her farthest sombrest cell With an old man who grabbled rusty keys, Fled shuddering, for that immemorial knell With which oblivion buries dynasties Swept like a wounded eagle on the blast, As to the holy heart of Rome the great triumvir passed. He knew the holiest heart and heights of Rome, He drave the base wolf from the lions lair, And now lies dead by that empyreal dome Which overtops Valdarno hung in air By Brunelleschi O Melpomene Breathe through thy melancholy pipe thy sweetest threnody! Breathe through the tragic stops such melodies That Joys self may grow jealous, and the Nine Forget awhile their discreet emperies, Mourning for him who on Romes lordliest shrine Lit for mens lives the light of Marathon, And bare to sun-forgotten fields the fire of the sun! O guard him, guard him well, my Giottos tower! Let some young Florentine each eventide Bring coronals of that enchanted flower Which the dim woods of Vallombrosa hide, And deck the marble tomb wherein he lies Whose soul is as some mighty orb unseen of mortal eyes; Some mighty orb whose cycled wanderings, Being tempest-driven to the farthest rim Where Chaos meets Creation and the wings Of the eternal chanting Cherubim Are pavilioned on Nothing, passed away Into a moonless void, and yet, though he is dust and clay, He is not dead, the immemorial Fates Forbid it, and the closing shears refrain. Lift up your heads ye everlasting gates! Ye argent clarions, sound a loftier strain For the vile thing he hated lurks within Its sombre house, alone with God and memories of sin. Still what avails it that she sought her cave That murderous mother of red harlotries? At Munich on the marble architrave The Grecian boys die smiling, but the seas Which wash AEgina fret in loneliness Not mirroring their beauty; so our lives grow colourless For lack of our ideals, if one star Flame torch-like in the heavens the unjust Swift daylight kills it, and no trump of war Can wake to passionate voice the silent dust Which was Mazzini once! rich Niobe For all her stony sorrows hath her sons; but Italy, What Easter Day shall make her children rise, Who were not Gods yet suffered? what sure feet Shall find their grave-clothes folded? what clear eyes Shall see them bodily? O it were meet To roll the stone from off the sepulchre And kiss the bleeding roses of their wounds, in love of her, Our Italy! our mother visible! Most blessed among nations and most sad, For whose dear sake the young Calabrian fell That day at Aspromonte and was glad That in an age when God was bought and sold One man could die for Liberty! but we, burnt out and cold, See Honour smitten on the cheek and gyves Bind the sweet feet of Mercy: Poverty Creeps through our sunless lanes and with sharp knives Cuts the warm throats of children stealthily, And no word said:- O we are wretched men Unworthy of our great inheritance! where is the pen Of austere Milton? where the mighty sword Which slew its master righteously? the years Have lost their ancient leader, and no word Breaks from the voiceless tripod on our ears: While as a ruined mother in some spasm Bears a base child and loathes it, so our best enthusiasm Genders unlawful children, Anarchy Freedoms own Judas, the vile prodigal Licence who steals the gold of Liberty And yet has nothing, Ignorance the real One Fraticide since Cain, Envy the asp That stings itself to anguish, Avarice whose palsied grasp Is in its extent stiffened, moneyed Greed For whose dull appetite men waste away Amid the whirr of wheels and are the seed Of things which slay their sower, these each day Sees rife in England, and the gentle feet Of Beauty tread no more the stones of each unlovely street. What even Cromwell spared is desecrated By weed and worm, left to the stormy play Of wind and beating snow, or renovated By more destructful hands: Times worst decay Will wreathe its ruins with some loveliness, But these new Vandals can but make a rain-proof barrenness. Where is that Art which bade the Angels sing Through Lincolns lofty choir, till the air Seems from such marble harmonies to ring With sweeter song than common lips can dare To draw from actual reed? ah! where is now The cunning hand which made the flowering hawthorn branches bow For Southwells arch, and carved the House of One Who loved the lilies of the field with all Our dearest English flowers? the same sun Rises for us: the seasons natural Weave the same tapestry of green and grey: The unchanged hills are with us: but that Spirit hath passed away. And yet perchance it may be better so, For Tyranny is an incestuous Queen, Murder her brother is her bedfellow, And the Plague chambers with her: in obscene And bloody paths her treacherous feet are set; Better the empty desert and a soul inviolate! For gentle brotherhood, the harmony Of living in the healthful air, the swift Clean beauty of strong limbs when men are free And women chaste, these are the things which lift Our souls up more than even Agnolos Gaunt blinded Sibyl poring oer the scroll of human woes, Or Titians little maiden on the stair White as her own sweet lily and as tall, Or Mona Lisa smiling through her hair, Ah! somehow life is bigger after all Than any painted angel, could we see The God that is within us! The old Greek serenity Which curbs the passion of that level line Of marble youths, who with untroubled eyes And chastened limbs ride round Athenas shrine And mirror her divine economies, And balanced symmetry of what in man Would else wage ceaseless warfare, this at least within the span Between our mothers kisses and the grave Might so inform our lives, that we could win Such mighty empires that from her cave Temptation would grow hoarse, and pallid Sin Would walk ashamed of his adulteries, And Passion creep from out the House of Lust with startled eyes. To make the body and the spirit one With all right things, till no thing live in vain From morn to noon, but in sweet unison With every pulse of flesh and throb of brain The soul in flawless essence high enthroned, Against all outer vain attack invincibly bastioned, Mark with serene impartiality The strife of things, and yet be comforted, Knowing that by the chain causality All separate existences are wed Into one supreme whole, whose utterance Is joy, or holier praise! ah! surely this were governance Of Life in most august omnipresence, Through which the rational intellect would find In passion its expression, and mere sense, Ignoble else, lend fire to the mind, And being joined with it in harmony More mystical than that which binds the stars planetary, Strike from their several tones one octave chord Whose cadence being measureless would fly Through all the circling spheres, then to its Lord Return refreshed with its new empery And more exultant power, this indeed Could we but reach it were to find the last, the perfect creed. Ah! it was easy when the world was young To keep ones life free and inviolate, From our sad lips another song is rung, By our own hands our heads are desecrate, Wanderers in drear exile, and dispossessed Of what should be our own, we can but feed on wild unrest. Somehow the grace, the bloom of things has flown, And of all men we are most wretched who Must live each others lives and not our own For very pitys sake and then undo All that we lived for it was otherwise When soul and body seemed to blend in mystic symphonies. But we have left those gentle haunts to pass With weary feet to the new Calvary, Where we behold, as one who in a glass Sees his own face, self-slain Humanity, And in the dumb reproach of that sad gaze Learn what an awful phantom the red hand of man can raise. O smitten mouth! O forehead crowned with thorn! O chalice of all common miseries! Thou for our sakes that loved thee not hast borne An agony of endless centuries, And we were vain and ignorant nor knew That when we stabbed thy heart it was our own real hearts we slew. Being ourselves the sowers and the seeds, The night that covers and the lights that fade, The spear that pierces and the side that bleeds, The lips betraying and the life betrayed; The deep hath calm: the moon hath rest: but we Lords of the natural world are yet our own dread enemy. Is this the end of all that primal force Which, in its changes being still the same, From eyeless Chaos cleft its upward course, Through ravenous seas and whirling rocks and flame, Till the suns met in heaven and began Their cycles, and the morning stars sang, and the Word was Man! Nay, nay, we are but crucified, and though The bloody sweat falls from our brows like rain Loosen the nails we shall come down I know, Staunch the red wounds we shall be whole again, No need have we of hyssop-laden rod, That which is purely human, that is godlike, that is God. The Bells by  Edgar Allan Poe I Hear the sledges with the bells- Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells- From the jingling and the tinkling of the bells. II Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And an in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells,bells, Bells, bells, bells- To the rhyming and the chiming of the bells! III Hear the loud alarum bells- Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now- now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells- Of the bells- Of the bells, bells, bells,bells, Bells, bells, bells- In the clamor and the clangor of the bells! IV Hear the tolling of the bells- Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people- ah, the people- They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone- They are neither man nor woman- They are neither brute nor human- They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells- Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells- Of the bells, bells, bells- To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells- Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells- To the moaning and the groaning of the bells.